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FRANCE - ARCHITECTURE: GOTHIC

France    view all cities
Top travel cities in France
.  Aix-en-Provence
.  Angers
.  Avignon
.  Dijon
.  Lille
.  Lyon
.  Marseille
.  Nice
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The reasons behind the development of the Gothic style lie in the pursuit of sensations of the sublime; to achieve great height without apparent great weight would seem to imitate religious ambition. Its development in the north is partly due to the availability of good building stone and soft stone for carving, but perhaps more to the growth of royal aspiration and power based in the Île de France, which, allied with the papacy, stimulated the building of the great cathedrals of Paris, Bourges, Chartres, Laon, Le Mans, Reims and Amiens in the twelfth and thirteenth centuries.

The Gothic phase began with the building of the choir of the abbey of St-Denis near Paris in 1140, and ran through to the end of the fifteenth century. Architecturally, it encompasses the development of wider, traceried windows of coloured glass, filling the wall spaces liberated by the refinement of vertical structure; the "rose" or wheel is an early and especially French feature in window tracery. The glass at Chartres shows better than anywhere the concerted architectural effect of these developments. Another distinctive element is the flying buttress outside the walls to resist the outward push of the vaulting.

In the south, as at Albi and Angers, the great churches are generally broader and simpler in plan and external appearance, with aisles often almost as high as the nave. Many secular buildings survive - some of the most notable in their present form being the work of Viollet-le-Duc, the pre-eminent nineteenth-century restorer - and even whole towns, for example Carcassonne and Aigues Mortes; Avignon has the bridge and the papal palace.

Castles, of necessity, lent themselves less to the disappearing walls of the Gothic style. The Château de Pierrefonds , as restored by Viollet, may be taken as typical. The walls of many others disappeared by force, not whim, as gunpowder made them obsolete and a more settled and subjugated order led to the development of château-palaces, such as Châteaudun (1441) and Blois . The Château de Josselin in Brittany is a marvellous example of the smaller fortresses that became common towards the end of the Gothic period. In addition, a series of colonial settlements, the bastides , or fortified towns, of the English occupation, remain in the Dordogne region and are a refreshing antidote to triumphal French bombast.


 

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